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1.7. |
GAME AND MARTIAL DANCES: War and dance now appear anti-theatrical, but it
was not so in ancient days, when there were no airplanes, no bombs, no ballistic
missiles and no guns either. Weapons like swords, clubs and spears were quite
weighty, and to wield them with consummate artistry, required such pliability of
the body, which only a dancer could have. at the time of that antiquated past.
Men at arms used to parade the artistry of wielding the weapons to the beat of
drums. Out of this practice originated several forms of dances, which are still
surviving in many parts of this country. Every game has an inherent rhythm of
its own. In most of the cases it is so covert that unless very carefully
observed it is not perceptible.
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(a)gn="left" bgcolor="#e7e7ca" height="19" valign="top" width="94%">
Nahangma Dance: The Limboo's shamanistic priests and the male family members
take part in this dance. They danced with swords (Laphiza) on their right hand or
spear (Tu) on their left hand, or an arrow on their right hand and a bow on
the left, together forming a group while performing the Nahangma ritual. This
is done to protect the altar (Lasso) of Nahangma (raising of moral) during the journey
to Tuttu Tumyang Yakla Suhangma Chotlung, of the family head while performing Yahangsema
Mundhum, from the evil spirits, Nahen, Sogha and Sugut etc. (Subba,1999: 221).
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Download Requisition form for songs & drama artists |
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